News
On Friday October 8 at 8:45am (MT) you can listen to my CKUA Radio interview with Grant Stovel who is an incredible Edmonton treasure. You can listen around the world online, on the CKUA radio app, or on the good old radio. I’m partial to listening to CKUA in my car for some reason :)
I’ll be talking about my new novel, Everything Affects Everyone, which is slowly making its way out into the world as we speak. Thanks for tuning in!
I just want to quickly share a few nice things that have appeared of late regarding one of the poem-essays in The Flower Can Always Be Changing.
“In Lieu of Flowers” made the Book Riot list for “7 Of the Best Poems About Losing a Loved One.” Obviously, being on such a list holds some bittersweetness.
And then, it’s very emotional to see that a person from Zimbabwe, Chioniso Tsikisayi, made this beautiful video from her visit to her granny’s grave.
Lastly, I know it’s a little thing, but I was glad that this Reddit user was able to track down the poem as well. The search for a “poem about grief and ice cream” was so poignant for me.
So it’s very lovely to see this attention given to this book as the preparations for the next one are underway.
Gratitude is real.
Yesterday, my wonderful publisher, Palimpsest Press, posted a photo of the freshly received ARCs (Advanced Reader Copy) of Everything Affects Everyone, and though I’ve been talking the fact that the book is coming out in October on social media, I’d be re-miss if I didn’t share the news here as well. I’ve added a page under books for Everything Affects Everyone with some links on how to pre-order it.
Pre-orders are great to create a buzz about a book and can really drive sales/ordering at bookstores. That said, an author/me! is happy no matter how the book ends up in a readers hands.
Obviously, pre-ordering is taking a chance :) What might you be in for? The novel contains: angels, women in conversation, an art heist, an elusive photographer, movie stars. There are thoughts on belief, seeing, and art. I noticed that my publisher described it on her Facebook post as “trippy” which I kinda love and maybe is the best description.
It’s obviously an interesting / strange time to be promoting a book, but I’m excited to see how it all goes and what people think of it.
The official pub date is October 15 which seems far off, but really is only 3 months away. OMG.
I’m happy to report that The Flower Can Always Be Changing has been shortlisted for the Wilfred Eggleston Award for Nonfiction.
The press release from the Writers Guild of Alberta is as follows:
The Writers’ Guild of Alberta is excited to announce the finalists for the 2019 Alberta Literary Awards and Robert Kroetsch City of Edmonton Book Prize. Each year, the Alberta Literary Awards and the City of Edmonton recognize and celebrate the highest standards of literary excellence from Alberta and Edmonton authors.
Winners will be announced and awards presented at the Alberta Literary Awards Gala on Saturday, June 8, 2019 at the Coast Edmonton Plaza Hotel in Edmonton in conjunction with the WGA annual conference, Writing Across Worlds.
The WGA would like to send our congratulations to those whose work is on this year’s Alberta Literary Awards shortlists! We look forward to celebrating your creativity and hard work, and we will do all we can to spread the word about the wonderful writing you did in 2018. Our awards celebration is not just one night; it is a full and robust season of honouring and “getting to know” these authors and their amazing work. Shortlist reading events will be held this spring in Edmonton on May 5 and in Calgary on May 15.
Our juries deliberated on more than 190 submissions to select the following 24 finalists in eight categories. Finalists represent excellence in literary work written by Alberta authors and published or created in 2018. We encourage you to check out these fantastic titles!
Just when I thought the chance for any attention around my book was over and done with, there was this lovely post written by Kerry Clare on her esteemed blog, Pickle Me This. So that was a lovely way to end 2018.
But then there were a couple of other mentions on lists, and that was nice, too. Lindy Reads and Reviews marked it as one her top 18 books of 2018. And it has made several lists on 49th Shelf this past year which is a huge boost.
The week after I launched The Flower Can Always Be Changing, it made it onto the Audreys Books bestseller list. Number one for non fiction. Extra gratifying was that Rumi and the Red Handbag made it to number four, and Asking made it to number ten, on the fiction list. Which goes to show one should always pleasantly ask the bookstore where your launch is happening to order in some of your backlist.
In other news, The Flower Can Always Be Changing made it onto a list by Kerry Clare on 49th Shelf, titled, "11 Life Stories To Read This Spring.” I loved this because I’ve been thinking a lot about genre in relation to this book of mine. In fact the epigraph to the book is by Clarice Lispector where she says, “Genre no longer interests me. What interests me is mystery.”
While I’m calling the contents of the book “brief essays” I think they fit into some trickier space. I’m not alone in exploring this space, and at some point I’ll write about it more at length. But for now, the idea of my book being categorized as “life stories” is pleasing to me.
People have been instagramming my book amid flowers and on desks. This is also very pleasing and lovely.
For example:
And there have been more, too! I’m so grateful to everyone for being part of the excitement of my new small book.
My new book of brief essays, titled: The Flower Can Always Be Changing is now available. I’ll be launching it in Edmonton at Audreys Books on May 17th, 7 pm.
It's been almost a year since Rumi and the Red Handbag came out and it's had its day in the sun, in all sorts of lovely ways. You can scroll through the highlights on the page here for the mentions and reviews.
Though I've nothing much else planned for the book, one never knows what might crop up. But for now, I feel I can put my reading copy away on the shelf and concentrate on other projects, other writings.
I thought I'd just say a few last words about the book, partly because this past week I came across something that I had read and which had lodged in my brain when I was writing the book, and which became one of Ingrid-Simone's mannerisms, or habits. It's from a conversation with the marvellous poet Li-Young Lee. He says, "the whole universe is humming, is vibrating. It's that hum that I want to hear. That's the subject of my poems." He goes on: "Humming supports the chair; humming supports mountains; humming supports this body. To be a poet is to reveal the hum, which is 'logos.' It's pure mantra, that's what it is."
It's interesting to go back to a book you've written years ago and try to remember what you were reading and thinking during that time. Some of it comes out directly in the book, and is referred to right there in the text. But other stuff is below the surface. When I was writing RRH I was reading about the grail (via Joseph Campbell) and I was thinking and reading about quests, spurred on by a memory of an untraceable quotation that I picked up somewhere in my time at university as an undergrad. Some male literary critic said, "men quest, women run errands." And I began to wonder about women's quests. You likely know the story of the grail quest, which in its many permutations goes something like: the hero on his quest to find the grail comes to a castle and inside the castle is a silent, wounded king. The hero doesn't know what to say, what to ask, he misses his chance, and therefore misses out on the grail.
So what happens if (in another loose rendition of the story) we have instead of a grail, a handbag. Instead of a castle, a secondhand store? Instead of a wounded king, we have a wounded young woman. etc. As I said, it's all very loose.
I was also reading Simone Weil, who talks about the grail quest in Waiting for God. I quote from the book on page 53 - the question we could ask someone who is suffering: What are you going through? For me, that question is the centre of the book.
I wanted Ingrid-Simone to be pure mantra. I wanted the reader to realize the whole universe is humming, including that small, odd person who checks through your groceries, or is walking alone downtown late at night, or working at a secondhand clothing store, and know that her hum is also your hum. And it's the same hum that holds up mountains and chairs.
That's what I was trying for anyway.
First up is an author panel hosted by Marty Chan on Tuesday, August 2nd at the Strathcona Branch of Edmonton Public Library at 7pm. Please see EPL's website for more information.
The library is also hosting book clubs for all of the Alberta Readers Choice finalists. I've been invited to facilitate the pop-up book club on Thursday, August 25th, at Steeps Tea Lounge. To learn more, visit EPL's site.
Lastly, I'm going to end with a bit of a brag. Wayne Arthurson, EPL's writer in residence for 2016, has included Rumi and the Red Handbag on a list titled, "Top Picks with Edmonton Settings." Having your book called 'a small and wonderful work of art' is a really lovely thing. Also, the book continues to have oodles of holds on it! Cool, yes? One doesn't become a millionaire with such a book as mine, but these are the moments that make sense of the writing life for me, and I'm grateful for them.
